The James Franco Project
Movie star, conceptual artist, fiction writer, grad student, cipher—he’s turned a Hollywood career into an elaborate piece of performance art. But does it mean anything? A critical investigation, with bathroom break.
James Franco will not stop bouncing around.  We’re standing on the sixth floor of a building at NYU, in the  Department of Cinema Studies, outside a small theater. He’s wearing a  standard grad-student uniform: washed-out jeans, charcoal sweater, gray  sneakers, messy hair. His face—the face whose sculpted smoothness has  won him countless film roles, and a Gucci endorsement, and daily floods  of heartsick prose poetry on Internet comment boards—has been abducted  by a mildly disturbing mustache. (He had to grow it for a role, he  says.) We’ve just finished listening to a lecture by the performance  artist Marina Abramovic—a talk Franco introduced with a charming but  rambling overview of Abramovic’s career: the time she screamed herself  hoarse, the time she took medication to give herself seizures, the time  she cut her own hand with a knife, the time she ate an entire raw onion.  It’s unclear whether people have come tonight to see Abramovic or  Franco or just the symbiotic fusion of the two—this rare public marriage  of Hollywood and art-world stars.
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The James Franco Project

Movie star, conceptual artist, fiction writer, grad student, cipher—he’s turned a Hollywood career into an elaborate piece of performance art. But does it mean anything? A critical investigation, with bathroom break.

James Franco will not stop bouncing around. We’re standing on the sixth floor of a building at NYU, in the Department of Cinema Studies, outside a small theater. He’s wearing a standard grad-student uniform: washed-out jeans, charcoal sweater, gray sneakers, messy hair. His face—the face whose sculpted smoothness has won him countless film roles, and a Gucci endorsement, and daily floods of heartsick prose poetry on Internet comment boards—has been abducted by a mildly disturbing mustache. (He had to grow it for a role, he says.) We’ve just finished listening to a lecture by the performance artist Marina Abramovic—a talk Franco introduced with a charming but rambling overview of Abramovic’s career: the time she screamed herself hoarse, the time she took medication to give herself seizures, the time she cut her own hand with a knife, the time she ate an entire raw onion. It’s unclear whether people have come tonight to see Abramovic or Franco or just the symbiotic fusion of the two—this rare public marriage of Hollywood and art-world stars.

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James Franco <3

James Franco <3

James Franco and Michelle Trachtenberg

James Franco and Michelle Trachtenberg

James Franco

James Franco

James Franco

James Franco

James Franco

James Franco

James Franco

James Franco

James Franco

James Franco

James Franco

James Franco

James Franco

James Franco

James Franco

James Franco

James Franco by Patrick Fraser

James Franco by Patrick Fraser

James Franco and Seth Rogen in Pineapple Express

James Franco and Seth Rogen in Pineapple Express

James Franco (People Magazine)

James Franco (People Magazine)